Not only academics have the skills and means to integrate digital tools and humanistic inquiry. We argue that these distinctions are both real and imagined and as such need to be examined closely to determine the intricate and multilayered dynamics of each space. We make two main arguments in this chapter: the digital world and…
“It is not so much our judgements as it is our prejudices that constitute our being,” writes Hans-Georg Gadamer in the opening paper of a collection of his essays titled Philosophical Hermeneutics (Gadamer 1976). This claim is a provocative one and announces one of the more memorable motifs in Gadamer’s writings. It also pursues in…
In 1991, Jennie Livingston’s Paris Is Burning (1990) won the Grand Jury Prize at the Sundance Film Festival, positioning it squarely at the center of a movement that B. Ruby Rich first named the “New Queer Cinema,” an emerging group of independent films marked by a diversity and range of styles and subject matter but…
The history of transgender and gender nonconforming people in the United States is one of struggle, but also of self-determination and community building. Transgender groups have participated in activism and education around many issues, including gender expectations, depathologization, poverty, and discrimination. Like many other marginalized people, our history is not always preserved, and we have…
We are living in a time of trans visibility. Yet we are also living in a time of anti-trans violence. Tese entwined proclamations—lived in the flesh—frame the conversations, interventions, analyses, and other modes of knowing that are captured in Trap Door: Trans Cultural Production and the Politics of Visibility. Consequently, we come to this project…
This chapter provides an overview of the queer video artists who are working in the United States in the twenty-first-century and presenting their work primarily in gallery and museum contexts, either in traditional shows or performance/time-based interventions. Their work is divided into purposefully capacious and fluid categories: reimagining a queer/trans world, restaging the medium, and…
Preface and Introduction to Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender, including section on ‘transgender capacity’
June Scudeler — The Revolution is for Everyone: Imagining an Emancipatory. Future through Queer Indigenous Critical Theories
The title of this chapter puts in roughly historical order related types of criticism that concentrate on varieties of what might be loosely termed sexual dissidence. All of these labels emerge from dynamic mid- and late twentieth-century struggles to emancipate anti-normative sexual desires and gender identities from legal, medical and moral oppression. The word gay,…
This chapter presents a reading of Ōshima Yumiko’s Tsurubara-tsurubara (TS). This manga examines the internal and external conflicts and tensions that a gender-variant child, Tsugio, undergoes through the self-affirmation that occurs in the process of transition. Instead of evolving as a pathological discourse of gender identity disorder—of hormones and orchiectomies—TS explores Tsugio’s intuitive insistence on…